If you’re trusting me with the most important day of your life, it’s only fair you know what I’m bringing to the party. Below: a peek inside the camera bag of a Maryland and DC film wedding photographer — the tools I use, the film I obsess over, and the gear that helps me chase light, capture magic, and create something timeless for you.
The Not-So-Sexy Stuff (That Actually Matters Most)
Do you bring backups of everything?
ALWAYS. Cameras, lenses, batteries, battery chargers, memory cards, film, a change of shoes, a rain jacket, and a small emergency kit — I come prepared. It’s not just peace of mind, it’s part of how I care for your day. It’s peace of mind for you, me, and your other vendors as well.
What’s your favorite lens and why?
My 28-70 f/2 has a permanent spot in my bag, but the 35mm f/1.4 is my forever fave — it’s wide enough to tell the whole story, but intimate enough to capture the emotion. And she is light weight (hello no wrist pain). Chances are, I will change what lens I reach for throughout the day.
How do you balance digital and film during a wedding?
I don’t treat film as a “bonus.” I use it with intention, weaving it in when the light is right and the moment calls for it. Digital gives me control and speed — film brings the soul.
Will you ever go fully film?
Tempting, always — but for now, I believe in the beauty of both. Film makes me feel. Digital makes sure I never miss a moment. Together, they tell the most complete story. BUT if you’re interested in an all film wedding or session, LET’S CHAT.
Is your gear silent during the ceremony?
I’m super mindful of this! My digital camera has a silent shutter mode, and film cameras stay tucked away during vows (unless you want them). I aim for presence, not distraction.
The Film Edition
What cameras do you shoot with?
I always bring one primary digital camera and a backup (currently the Canon R6ii), plus my trusty Canon EOS 1V for 35mm film. I also pack a few backups, a point-and-shoot, and one or two Polaroids — because you never know when magic will strike.
What’s your favorite film camera?
Tied between the Canon EOS 1V and the Canon 3 — both are classics for a reason. My Contax T3 is the dark horse: sleek, reliable, and small enough to fit in a pocket (but makes images that pack a punch).
What film stocks do you love most?
It depends on the light and the mood. Portra 400 and Kodak Gold 200 are my go-tos for daylight, while HP5 gives me all the nostalgic B+W feels. And if your reception lighting is glowing? I’ll push Portra 800 for that dreamy, cinematic finish.
If you could only use one camera for a whole wedding…?
Digital? Canon R6ii with the RF 28-70 f/2, no contest. On film, I’m reaching for the EOS 1V with my EF 35mm f/1.4 — reliable, gorgeous depth, and just the right amount of mood.
Wait — why Polaroids?
They’re fast, fun, and just the right amount of chaos. There’s something magic about holding a memory in your hands just minutes after it happens — imperfections and all.
Do we actually get the Polaroids?
Yes! I scan them first and upload the digitals to your gallery. Then I mail the real-deal prints to you — usually bundled sweetly with your Heirloom Album.
How much film do you shoot?
As much as I responsibly can. I bring more film than I’ll ever need, because I want the freedom to shoot when it matters. But I shoot with intention — choosing stock and timing based on light, location, and feel.
Why film at all?
It’s where I started. Film is how I learned to see — slowly, deliberately, and with love. It’s nostalgic, a little unpredictable, and always a reward. That surprise? Worth it every time.
Light(n)ing Round
I don’t leave great reception photos to chance. My setup is powerful, reliable, and built to elevate every frame — not overpower it. Whether it’s a candlelit dinner or a packed dance floor, I bring the kind of glow that makes your gallery sing.
What lighting gear do you use?
I use Profoto flashes — both on and off camera — and they pack a punch. They’re sleek, powerful, and totally transform low-light scenes without stealing the vibe. Think: dreamy, not dramatic.
Do you use flash on film too?
Sometimes — but only when the moment calls for it. I love the drama of a bold, editorial flash just as much as the warmth of a glowy, low-light frame. Your day deserves both. I read the energy, match the vibe, and deliver a mix that feels just right.
Do you do those cool spotlight images?
YES I CAN — and I’d love to. If that dramatic, editorial spotlight vibe is your thing, just let me know ahead of time. It takes a little extra setup (with a special light), so we’ll build in time to make it magic.
